The truck is connected to Bristol and the LAPC via a Unity intercom system.īesides the significant studio presence, ESPN’s NBA Saturday Primetime on ABC broadcasts also feature additional production elements, including multiple Shot Charts, Skycam, player mics, and special animations for compelling replays. Inside the B unit is a Grass Valley Kayenne switcher (installed as Suite 2 of the game switcher) and a Calrec BRIO 32 audio console on the Hydra network. 3.ĮSPN is deploying a hybrid REMI workflow to produce the onsite studio shows, leveraging the B unit of its main game truck - Game Creek Video’s 79 - and the LAPC-PCR3 control room at ESPN’s Los Angeles facility, where the show is integrated (with no local graphics or replay sources). The show usually positions its setups in a space overlooking the arena floor for its main host position, in addition to a floor location, usually on the baseline to pick up interviews, player shootarounds, and other pregame action.Īnd ESPN’s efforts with the lively streaming show - which features Cassidy Hubbarth, Kendrick Perkins, and Gary Striewski - appear to have paid off: Hoop Streams is hitting its stride creatively and averaging 1.6 million streams per show, hitting a high of 2.4 million on Feb. Kimes started as a writer at ESPN, which means her salary was lower than what ex-player TV. Support is also provided at most NBA Saturday Primetime games to produce the NBA Hoop Streams pregame show on ESPN’s digital platforms.ĮSPN’s Hoop Streams features (with mics, from left) Cassidy Hubbarth, Kendrick Perkins, and Gary Striewski. Kimes, 37, could experience the biggest jump in pay, to earn what many of her male peers make. It is also used on other remotes when necessary. high with three on-air talent positions and room for additional guests. 11 Providence will meet in with a spot in the Final Four on the line. The real chaos evolves in this brackets East region, where No. The Jump studio, which deploys five cameras (plus shared cameras from the game production), is used as the main set for ESPN’s NBA Saturday Primetime pregame show at midcourt. ESPN This is an enjoyable bracket An Alabama-Houston final is a bit chalky, as they are the top two teams in the tournament, but UCLA making it out of their region is a bit fun. That’s a significant expansion from its studio coverage last year, which originated from in-house facilities. The Jump has a desk at midcourt for pregame coverage and on the baseline for halftime and postgame recap. Terri Dippolito, senior manager, ESPN remote production operations, and CJ Chalverus, onsite operations producer for The Jump remote shows, work in tandem with the ESPN game-operations team to bring onsite broadcasts of The Jump to NBA Saturday Primetime games. Follow the latest tweets from NFL, MLB, NBA, NHL, college football and college basketball players and teams as well as ESPN personalities on the ESPN Twitter feed. Rachel Nichols (second from left) hosts The Jump with a rotating cast of analysts - including Paul Pierce (second from right) and Tracy McGrady (right) - and guests like Boston Celtics GM Danny Ainge.
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